The song’s creative use of the palindrome “181” adds a clever touch, and the lyrics’ focus on the wine’s quality and the joy it brings to the drinker are well-crafted. Lines like “181, you are so good to me. Keep me warm in the wintertime and set my mind at ease” depicts the artist’s appreciation for the wine, while “Come from a noble vine, makes you a royal wine” highlights the wine’s noble origins.

Also Read: New Single ‘God Bless’ by The Lion Twinz Reminds Us to Keep Pushing

Also Read: The Love Algorithm Mourns and Honors Flood Victims in ‘Texas We Cry For You’

The production quality of the song is top-notch, with an attractive and upbeat melody that accompanies the lyrics perfectly. The song’s message is clear: “181 Wine” is a great way to unwind and enjoy life.

“181 Wine” is a great song that showcases Stephen Cornwell’s creativity and appreciation for Noble Vines’ Merlot. With its catchy melody and clever lyrics, it’s sure to delight listeners and potentially make a great advertising tool for Noble Vines.

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Also Read: ROBY BRAUN Honors Life and Resilience with ‘POUR LES BEAUX JOURS MERCI LA VIE’

Opening with true honesty, “When the nights were long and the world turned cold, I had no hand to hold…”—the song drops us straight into Eylsia’s wilderness moments. The production is clean and balanced: warm acoustic layering, skillful percussion, and a vocal delivery that sits right at the emotional center. By the time the hook arrives, “Thank you, Jesus, when no one else can”—you feel the weight lift, as if hope itself becomes audible.

This single balance between vulnerability and strength. It’s not about a flawless faith journey; it’s about doubt, loneliness, unanswered prayers, and still finding the quiet strength to say thank you. That honesty makes “Thank You, JESUS” connect with anyone who has walked through seasons of struggle, whether they wear their faith on their sleeve or simply know what it means to hold on when life gets heavy.

Also Read: Eylsia Embraces the Void with Poise in ‘Nothing to Gain, Nothing to Lose’

It belongs on faith-based playlists alongside Zach Williams or Lauren Daigle, but it’s equally at home on mood-based lists about healing, rebuilding, and finding strength in unexpected places.

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The instrumentation is appealing and noticeable, with uplifting guitars and anthemic energy that accompanies Dell’s vocals perfectly. Produced by Kent Wells, known for his work with Dolly Parton, “With You” captures the essence of classic rock while maintaining a refreshingly modern feel.

Also Read: Tracy Dell Sings with Fire and Faith on ‘American Blood’

The song explores themes of independence, love, and vulnerability. Lines like “Last night I stayed wake for you, And the distance closing in between us too” and “You’re the beat” show Dell’s ability to craft meaningful and relatable as well as passionate lyrics.

What stands out about “With You” is its message of growth, connection, and emotional honesty. As Dell notes, the song is about embracing weakness and realizing that leaning on someone else doesn’t diminish independence; rather, it strengthens it.

Also Read: ROBY BRAUN Honors Life and Resilience with ‘POUR LES BEAUX JOURS MERCI LA VIE’

“With You” is a great representation of Tracy Dell’s artistry and her ability to create music that resound with listeners. With its catchy hooks, unforgettable melodies, and big, open chorus, this song is sure to leave a lasting impression.

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The song’s driving beat, magnetic bassline, and sun-soaked melodies make it a DJ’s dream and a crowd-pleaser. With its catchy vibes and emotive Spanish vocals, “Tu Error” is a beautifully woven track that shines with every listen. The lyrics, which explore themes of love, heartache, and longing, add a sparkle to the song, with lines like “It’s been a long time since we’ve seen each other, I hope you still love me” and “Your Mistake, I’m paying for it,” showcasing P La Cangri’s storytelling proficiency.

Also Read: ‘Atrevete Dirty’ by P La Cangri: A Groundbreaking Afro House Song that will Leave You Breathless

As a global powerhouse DJ, producer, and musical artist, P La Cangri has consistently pushed the boundaries of Afro House and Amapiano music. Her genre-bending approach has earned her international recognition, with tracks like “Ey! Amapiano (Boss of the Block Mix)” debuting at #4 on the iTunes Afrobeats Top 10 and topping Afro charts in Congo.

Also Read: Amanda Davey Breaks Chains With Faith-Rock Track ‘Prison House’

“Tu Error – Afro House Boss of the Block Edit” is a must-listen for fans of Afro House and Latin music. With its infectious rhythms, memorable melodies, and P La Cangri’s signature style, this song is sure to leave a lasting impression.

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Also Read: Amanda Davey Breaks Chains With Faith-Rock Track ‘Prison House’

The lyrics, which voice a sense of contentment and appreciation for life’s blessings, are both inspiring and contagious. Lines like “Today, I feel good” and “Thanks to God, I lack nothing” exhibit Gums’ focus on the importance of gratitude and positivity. The song’s message is clear: every day is a sacred gift from the universe, and it’s essential to approach life with love, gratitude, and balance.

Gums, a talented singer from St. Barthélémy in the Caribbean, has a unique ability to blend French lyrics, Caribbean roots, and reggae rhythms, creating a captivating sound that bridges cultures. With his growing popularity on social media platforms, including dance challenges on TikTok and Instagram, Gums is bringing a new wave of French-Caribbean reggae to the world.

Also Read: ROBY BRAUN Honors Life and Resilience with ‘POUR LES BEAUX JOURS MERCI LA VIE’

The collaboration with Kedijak adds a level of rhythm and flow to the track, featuring smooth French-reggae rap lines that perfectly support Gums’ vocals. “Tout Va Bien” is now available on Spotify, YouTube, and all major streaming platforms, spreading a message of hope and positivity to listeners worldwide.

“Tout Va Bien” is a beautiful song that showcases Gums’ spirit of gratitude and positivity. With its inspiring melody and poignant lyrics, this track is sure to impress listeners greatly and provide a much-needed boost of positive energy in these challenging times.

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Also Read: ‘“Phone Y Images’: Pixelated Perfection vs. Real Emotion — Eylsia Gets Honest

The track starts spectacularly, setting the tone for a thrilling ride. Eylsia’s voice is soothing and perfectly complements the beat, adding an extra layer of depth to the song. With every turn, you’ll discover a new twist, especially when the beat drops, which adds to the song’s aesthetic appeal.

As an artist, Eylsia brings a unique background to the table. From being a world-ranked tennis player to becoming the Executive Vice President of a record company, she’s had an incredible journey. Her music reflects her resilience, innovation, and artistic passion, blending modern styles with awe-inspiring narration.

Also Read: ‘Cats & Dogs’ by Eylsia: Simplicity with Substance

“Electric City” is everything to write home about, displaying Eylsia’s talent and creativity. With her powerful vocals and the song’s catchy melody, this track is sure to resonate with fans. Given Eylsia’s inspiring story and commitment to supporting fellow artists, “Electric City” is definitely worth checking out.

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The song features a stellar trio with John Lockwood on bass and Mark Walker on drums, who bring out the best in each other with their chemistry and creativity. The story behind the trio’s formation is amazing, as David and John had previously collaborated in the 1990s and reunited almost 25 years later to create this music.

Also Read: ROBY BRAUN Honors Life and Resilience with ‘POUR LES BEAUX JOURS MERCI LA VIE’

Recorded direct to disk with no overdubs, the music sends out a sense of enthusiasm and freedom. Lockwood and Walker’s interpretations transformed the music beyond David’s imagination, making this collaboration truly special. The chemistry, creativity, and exquisite artfulness of feel of this band emerge in every track.

“The Novitiate” is a testimony to David’s innovative approach, knitting diverse influences into a cohesive and fresh sound. His music overpasses labels, fusing elements of bebop, Latin, and free jazz with harmony-rich 21st-century jazz. Fans of Weather Report, Return to Forever, Snarky Puppy, and Radiohead will appreciate the complexity and depth of his sound.

Also Read: Amanda Davey Breaks Chains With Faith-Rock Track ‘Prison House’

The entire album “While You Were Sleeping” is available on all streaming platforms, and it’s definitely worth checking out. With his unique style and exceptional musicianship, David White Jr. is sure to appeal to listeners looking for adventurous and inspired jazz. His Grammy-nominated background and acclaimed work with Big Neighborhood further solidify his reputation as a talented guitarist and composer.

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Also Read: Roby Braun’s ‘BONSOIR ANNICK’: A Symphony of Emotions.

The lyrics are deeply reflective: thanking life not only for the joys and bright days but also for struggles, mistakes, and the growth they bring. Lines like “Pour les défis qui aident à mûrir, pour les amis, pour les compagnons de route, merci, la vie, merci” (For the challenges that help me mature, for friends, for companions along the way, thank you, life, thank you) strike at the heart of what so many felt during the pandemic—a bittersweet reminder of fragility, resilience, and community.

The song flows with a gentle, uplifting arrangement that allows the message to shine. There’s a warmth in BRAUN’s delivery that feels almost like a personal letter read aloud, carrying gratitude from one soul to another. The repeated refrain “merci, merci, la vie, merci” lingers long after the track ends, almost like a mantra.

Also Read: ‘Evasion’ by Roby Braun: A Tender Escape to Brittany’s Shores

What makes “POUR LES BEAUX JOURS MERCI LA VIE” timeless is that it doesn’t remain bound to the pandemic it’s a song that acknowledges the full spectrum of human existence, turning pain, courage, and love into reasons to give thanks. It’s as much a personal reflection as it is a gift to listeners who need to be reminded that even through hardship, life is worth celebrating.

With this tribute, ROBY BRAUN has created a song that isn’t just about remembering the sacrifices of the past but about choosing gratitude as a way forward.

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Also Read: New Single ‘God Bless’ by The Lion Twinz Reminds Us to Keep Pushing

Produced by Chris Lieck (Tejas Records), a heavyweight with Grammy wins and over 120 charting singles, Prison House carries both polish and raw urgency. From the opening line, “These chains get heavy on my feet, they are not mine yet I drag them behind me” the song plunges straight into the heart of spiritual warfare. It names the battles many fight in silence: shame, fear, affliction. Yet it refuses to stay there. The chorus rises like a rallying cry: “Step out of your prison, don’t be a slave to the enemy… You have redemption, you’ve been saved by grace and mercy.”

The track stands out for its honesty and urgency. Lines like “This is a spiritual war inside of my head” capture the tension of living between faith and struggle, while the repeated refrain of stepping out of the “prison house” feels like both an invitation and a command.

Also Read: When Prayers Become Tears—Howard Gripp’s Powerful New Single ‘You Still Hear’

With Prison House, she delivers more than a song, it’s a breakthrough moment, turning private battles into public victory anthems. And with another release, God, You Are Holy, slated to debut during her South Africa trip this fall (Sept 28–Oct 13 at Christian Family Church’s 46th Anniversary Celebration in Johannesburg), it’s clear Amanda Davey is on a roll, building momentum that stretches across continents.

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Also Read: New Single ‘God Bless’ by The Lion Twinz Reminds Us to Keep Pushing

The lyrics are raw reportage and poetry in one. Verses like “The soil turned traitor, the river turned jail” cut straight to the chaos of rising waters, while the refrain “Texas, we cry for you” lands as a communal prayer. The track doesn’t shy away from the brutal imagery, mud-stained photos, broken doors, campers swept away, but it also turns toward the light. The final verses, celebrating neighbors cooking for strangers and chainsaws clearing fallen trees, remind us that “Texas tough means helping all.” That balance sorrow and strength gives the song its lasting weight.

The arrangement swells and recedes like the river itself. Somber acoustic guitar opens the track, vocals carrying grief in quiet tones. As the song moves forward, percussion and layered harmonies build, echoing the rising tide but also the rising spirit of collective recovery. By the closing chorus, the song transforms from a lament into an anthem.

Also Read: Unfiltered Romance: Ambition Smiler Drops Afro-Fusion ‘My Type’

“Texas We Cry For You” arrives as more than art, it’s a call to remember, to honor, and to act. Alongside listening, fans are encouraged to support flood relief efforts through organizations like the American Red Cross, Salvation Army, TEXSAR, Kerr County Flood Relief Fund, and local community groups (please verify before donating).

The Love Algorithm has created something timely yet timeless—a song for Texas now, and for anyone who has ever faced loss and rebuilt with love.

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Also Read: Unfiltered Romance: Ambition Smiler Drops Afro-Fusion ‘My Type’

“God Bless” is sharp and uplifting. The beat leans into rhythmic, almost chant-like delivery, weaving in motivational wordplay with lines like “If you can’t run, then walk. If you can’t fly, then crawl.” It’s a lyrical call to action, equal parts spiritual reflection and motivational pep talk.

The Lion Twinz channel their message through layers of rhythm and cadence, giving the track both a streetwise energy and a universally inspiring tone.

Also Read: Cozy Surreality: Junifer’s Six-Minute Alt-Pop ‘We Break Us Down to Build Us Up’

What makes “God Bless” stand out is its ability to speak to everyone, artists, athletes, dreamers, and hustlers alike. It’s the kind of record you’d hear fueling a locker room, a classroom, or a community event, reminding people not to give up on their grind. With its universal message and infectious spirit, the single has strong potential for international airplay, playlist traction, and media spotlight.

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Also Read: Cozy Surreality: Junifer’s Six-Minute Alt-Pop ‘We Break Us Down to Build Us Up’

My Type” doesn’t shy away from the raw details of attraction and desire. Ambition Smiler paints a picture of devotion, highlighting not just physical beauty but also loyalty, support, and emotional connection. Lines like “My baby dey try for me, she dey support me financially” and “She say mek we no cheat, mek we focus on things we go make us be” show a relationship rooted in both pleasure and partnership. It’s a refreshing balance, romance that’s fun, physical, but also forward-looking.

Musically, the single sits in a sweet spot where afro-inspired percussion meets melodic hooks that stick. The chorus, with its repeated affirmation “She’s got the type of booty that I like”, is cheeky and catchy, while the verses carry a deeper sense of gratitude and celebration. It’s the kind of track that works equally well at a party, in the car, or in headphones when you’re thinking about that one person who just gets you.

Also Read: When Prayers Become Tears—Howard Gripp’s Powerful New Single ‘You Still Hear’

With “My Type,” Ambition Smiler proves that love songs don’t have to be sanitized or overly polished, they can be real, unfiltered, and still uplifting. It’s a song that celebrates true connection while turning up the energy, giving listeners a sound that’s as playful as it is passionate.

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Also Read: When Prayers Become Tears—Howard Gripp’s Powerful New Single ‘You Still Hear’

The production is hands-on and lived-in: acoustic fingerprints brush against shimmering electronic tones, while Junifer’s layered vocals move like scaffolding around the central mantra. It’s tender without being fragile, a reminder that sometimes undoing is the only way forward. Where other artists might chase immediacy, Junifer chooses a slow burn. By the time the chorus fully blossoms, it feels less like a hook and more like a healing practice, an invitation to grow alongside someone else, to sand down edges, to rebuild gently.

Also Read: Under the Rain, the Sun Dreams: ‘Gitano soy’ by Rafa Tena and Sandra Carrasco Shines Bright

There’s a cozy surreality to Junifer’s work—textures and harmonies that feel familiar yet slightly bent, like the memory of a dream you almost remember. We Break Us Down to Build Us Up lives in that liminal space, offering renewal, not rupture. It’s music for people who understand that love isn’t always fire—it can also be water, quietly reshaping us until we’re whole again.

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Also Read: ‘Father Help Me’ by Howard Gripp – A soul-stirring gospel plea

From the opening line, “Pain runs so deep, with no words to speak”, Gripp sets the stage for a song rooted in raw emotion. Instead of rushing to resolution, he lingers in the weight of brokenness, letting listeners feel the ache before lifting them into hope. The chorus, “You hear me, you see me / I trust you to be my Shepherd, my shelter forever with me” is both a cry for reassurance and a declaration of faith.

The bridge “If my prayers turn to tears, You still hear” lands like the song’s heartbeat, anchoring it as a reminder of God’s faithfulness.

Also Read: ‘Rescued Redeemed Forgiven’ by Howard Gripp Review: A Gospel Masterpiece

Already featured on a major user-curated Christian playlist, “You Still Hear” is a powerful addition to today’s worship-rock scene, intimate, uplifting, and built to last.

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Also Read: Strength, Swagger, and Heat: Inside ‘Muscle Mommy’ by Adam Pashaian

The collaboration between Rafa Tena and Sandra Carrasco is a match made in heaven, with Carrasco’s powerful and emotive voice adding authenticity and elegance to the track. Her versatility as a vocalist, having collaborated with artists from jazz, classical, and contemporary music, shines through in this song. Rafa Tena’s signature style, marked by sensitivity and truth in each lyric, supplements Carrasco’s voice perfectly.

The song’s visuals are just as impressive, with a music video that awakens the magical settings of the Alhambra de Granada and the Mezquita de Córdoba. The video adds to the song’s Andalusian and mystical charm, making it a treat for the senses.

Also Read: V.Of Debuts with La Grande Motte: A Musical Love Letter to France’s Seaside Icon

“Gitano soy” is a beautiful and alluring track that displays the artistic chemistry between Rafa Tena and Sandra Carrasco. With its vibrant rhythm, poetic lyrics, and stunning visuals, this song is sure to resonate with listeners and leave a lasting impression. If you’re looking for a song that will transport you to another world, “Gitano soy” is definitely worth checking out.

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Also Read: Love, Groove, and Hypnotic Vocals Collide on ‘Nobody’ by RoNa.ATX

Recorded entirely analog on tape, “Still Life” embraces the warmth and grit of the ‘70s and ‘90s rock eras, grounding itself in the traditions of bands that made imperfection feel perfect. That authenticity is amplified by the mixing touch of seven-time Grammy-winning engineer Jim Scott (whose resume includes Wilco, Tom Petty, and the Red Hot Chili Peppers). The result is a track that feels lived-in—like you’ve pulled it from a dusty vinyl crate, yet it still rings true in 2024.

“Still Life” explores themes of inner conflict, self-acceptance, and finding peace in the noise. Lines like “Sometimes I feel I’m just a shadow of my yesterdays” and “I slow myself and watch my mind get on, I find the stillness in this life” capture that tug-of-war between restlessness and clarity. The verses ride with a searching tone, while the chorus breathes out acceptance, landing like a quiet exhale after wrestling with heavy thoughts.

Also Read: ‘It Reaches Us’ – A Cosmic Dancefloor Moment from Mike Stewart Theory

The track unfolds with steady guitars, analog warmth, and melodic restraint, leaning into that balance of melancholy and hope. You can hear shades of classic rock giants in the DNA, moments that recall Pink Floyd’s introspection, Pearl Jam’s earnest grit, and Stone Temple Pilots’ melodic drive. But Strange New World doesn’t sound like a nostalgia act; instead, they channel those influences into something intentional, timeless, and very now.

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Also Read: ‘It Reaches Us’ – A Cosmic Dancefloor Moment from Mike Stewart Theory

The track’s magic is in its layering. Built on lush synth textures, plucked melodies, and rolling percussion, “Nobody” strikes a balance between hypnotic deep house and hands-in-the-air festival energy. It doesn’t lean too hard into either extreme; instead, it occupies that sweet middle ground where emotional resonance meets club-ready rhythm.

It’s intimate yet universal. Lines like “Baby, there’s nobody, nobody, nobody” and “Just say you love me slowly, you already got me” tap into the timeless theme of surrendering to love, but framed inside an electronic world that feels cinematic and expansive. The repetition creates a trance-like effect, pulling listeners deeper with every loop.

Also Read: V.Of Debuts with La Grande Motte: A Musical Love Letter to France’s Seaside Icon

Nobody” stands on its own as a late-night house banger, the kind of track you’d expect to slide into a curated Spotify Afro House playlist alongside names like Black Coffee, &ME, or Rampa.

If you’re into deep, emotive, and danceable electronic music, you’re going to want to add this to your weekend rotation. It’s a promise and a declaration rolled into a groove, a melodic Afro House anthem built for dancefloors and headphones alike.

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Also Read: V.Of Debuts with La Grande Motte: A Musical Love Letter to France’s Seaside Icon

So what’s the vibe? Imagine psychedelic waves colliding with indietronic shimmer, then dipped in that undeniable groovy ‘80s soul energy that just makes you move. Recorded across Austin (TX), London (UK), and Bad Iburg (DE), the single feels global in both spirit and sound. Marcus Praed brings the Moog synth sparkle, Julio Figueroa’s drums punch through with a loose, splashy flair, and Stewart himself delivers falsetto vocals for the very first time, Pharrell Williams-inspired, but filtered through a dreamy indie lens.

“It Reaches Us” plays with the poetry of starlight: the cosmic idea that the light we see today left the stars a long, long time ago. It’s trippy, philosophical, but still danceable. That duality, deep thoughts paired with grooves that make you want to get silly on the floor, is exactly why this track lands so hard.

There are echoes of Radiohead, Garbage, Moloko, and Portishead, but Mike Stewart Theory keeps it playful, unpredictable, and raw. The track thrives on “first take magic dust,” built on simple gear but bursting with personality. By the two-minute mark, the repetition of “heat, heat, heat” almost hypnotizes you into movement, like a soul train line beamed from another galaxy.

Also Read: Strength, Swagger, and Heat: Inside ‘Muscle Mommy’ by Adam Pashaian

Bottom line: this isn’t just a single, it’s a cosmic groove manifesto. With Mikey2Hats Birthday just around the corner, “It Reaches Us” proves Mike Stewart Theory is ready to take his undefinable, genre-shifting energy to new heights. Crank it loud. Let it move you.

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Also Read:Strength, Swagger, and Heat: Inside ‘Muscle Mommy’ by Adam Pashaian

The track is built on samba-inspired rhythms that instantly transport you to sunlit promenades and late-night festivals. Lyrics like “Golden beaches and skies full of stars, it’s clear / Celebrating here is a ritual we hold dear” capture the city’s festive spirit and the strong sense of community that makes La Grande Motte unique.

What makes the song stand out isn’t polished perfection but sincerity. V.Of isn’t a professional musician, but his delivery feels authentic, almost like a community anthem. The chorus—“La Grande Motte, city of beauty by the sea” is catchy enough to echo at beach parties or tourism campaigns alike.

Also Read: ‘Come To Me’ by Arbour Season Offers Stillness in Sound

At a time when La Grande Motte is gaining global recognition, this single arrives as both a love letter and an invitation. Play it once, and you’ll understand why millions feel so connected to this city.

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Also Read: ‘Come To Me’ by Arbour Season Offers Stillness in Sound

From the opening chant “Muscle Mommy, Muscle Mommy” the song sets itself up as for fun. Pashaian’s delivery has strong breath control and undeniable flair, riding the beat with a mix of tongue-in-cheek humor and hard-hitting punchlines. Lyrics like “She didn’t get crowned, she climbed for that height / Repped through the pain ‘til her wrongs turned right” flip gym culture into hip-hop scripture, turning sweat and grind into status symbols.

What makes “Muscle Mommy” pop is its balance, equal parts satire, swagger, and straight-up club energy. The chorus is designed to be shouted back, and the verses keep listeners hooked with their mix of playful raunch and clever wordplay.

Also Read: From Chill to Bounce: COMMOTION Refreshes ‘Kombucha’ with a Remix

For a first single, Adam Pashaian brings the heat. “Muscle Mommy” proves he’s got the confidence, charisma, and flow to carve out his place in the scene,and he’s not afraid to go all in.

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