Singles – Korliblog

‘Wasted / Lonely’ by Jr. Atlas: Faded Feelings, Broken Connections

Vera — Wed, 06 Aug 2025 16:58:02 +0000

Jr. Atlas and ALPHA CENTAURI tap into the emotional undercurrent of late-night vulnerability on their moody, introspective single “Wasted / Lonely.” It’s part heartbreak confessional, part sonic therapy session, wrapped in an atmospheric blend of melodic trap, alt-R&B, and cloud rap textures.

Also Read: ‘The Other Side (Main Mix)’ ft. Lalla Martin by Motsek: A Soft, Soulful Journey

The track floats in with a soft haze, glimmering keys, a minimalist beat, and an emotional hook that hits like a drunk text you never sent. Jr. Atlas delivers raw, unfiltered lines like “I only think about you when I’m wasted” and “Will I ever find true love? No, I don’t think I will,” capturing the brutal honesty that often surfaces in states of emotional fog. There’s no mask here, just the echo of someone trying to navigate trauma, regret, and a deep craving for real connection.

Also Read: Just Want to Be Good for You—Tori Bell Gets Real on ‘Bad Good’

ALPHA CENTAURI’s feature brings a cerebral contrast, reflecting on mental health, toxic cycles, and existential weight with a poetic flow that cuts through the gloom. The chemistry is real, like two sides of the same fractured coin.

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‘The Other Side (Main Mix)’ ft. Lalla Martin by Motsek: A Soft, Soulful Journey

Vera — Wed, 06 Aug 2025 16:15:29 +0000

From the opening pulse of “The Other Side – Main Mix”, it’s clear Motsek and Lalla Martin aren’t just making a track, they’re telling a story, stitching love, memory, and longing into the rhythm of Afrohouse. The single is the luminous heartbeat of their collaborative EP Echoes of Us, and it radiates intimacy in every note.

Also Read: Just Want to Be Good for You—Tori Bell Gets Real on ‘Bad Good’

Motsek’s production is subtle but rich, layered with deep textures, rhythmic patterns that move like ocean tides, and the whisper of ancestral energy humming beneath the surface. Lalla Martin’s vocals float like warm light: sincere, steady, and intimate. Her repeated line “Meet me on the other side…” becomes a mantra, gentle, spiritual, almost sacred.

The addition of Julien Mercier’s trumpet is genius. It doesn’t steal focus, but instead echoes the track’s emotional core, like a lover’s signal carried on the wind, always there even when unseen.

Also Read: ‘Infinite Possibilities’ by Kelsie Kimberlin: A Coming-of-Age Song

“The Other Side” isn’t about spectacle; it’s about connection. It asks you to slow down, breathe, and feel. Whether it’s a message to a distant love or a tribute to someone beyond this world, the song transcends time and space.

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Just Want to Be Good for You—Tori Bell Gets Real on ‘Bad Good’

Vera — Wed, 06 Aug 2025 15:20:01 +0000

Tori Bell’s “Bad Good” is a hypnotic Afrohouse groove that hits the sweet spot between sensual rhythm and emotional simplicity. At its core, it’s a love song, a mantra of longing, honesty, and vulnerability, but wrapped in a beat so smooth, you might miss the quiet ache underneath.

Also Read: ‘Infinite Possibilities’ by Kelsie Kimberlin: A Coming-of-Age Song

The production is clean and locked in. The percussion dances with precision, while the synth layers shimmer like heat waves on a summer night. Everything feels fluid and intentional,no clutter, no overkill. It’s the kind of track that creeps into your body slowly until you’re swaying without even noticing.

Tori keeps it stripped-down and repetitive: “Just want to be good for you…” It’s that looping vulnerability that makes the message stick. She’s not overexplaining, she’s feeling. The repetition becomes meditative, like she’s trying to convince not just the listener, but herself.

Also Read: Bloodlin3 Brings Firepower and Legends on New Album ‘No Mercy’

“Bad Good” thrives in the Afrohouse tradition of letting emotion ride the rhythm. It’s atmospheric, grounded, and endlessly replayable.

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‘Infinite Possibilities’ by Kelsie Kimberlin: A Coming-of-Age Song

Vera — Wed, 06 Aug 2025 14:14:14 +0000

Kelsie Kimberlin’s latest single, “Infinite Possibilities,” is a radiant, soul-baring song of self-liberation and growth. It’s not just a coming-of-age song, it’s a declaration of freedom, a tribute to healing, and an invitation to embrace life with open wings.

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Also Read: Bloodlin3 Brings Firepower and Legends on New Album ‘No Mercy’

The track opens with a quiet vulnerability: “It seems like I’ve forever been confined…”—a line that immediately sets the tone for a deeply personal yet widely relatable journey. Over gentle acoustic strums and soft, rising melodies, Kelsie paints the image of transformation, likening her growth to a butterfly emerging from a cocoon. Her voice, honest and warm, is not just singing, it’s shedding layers.

But what makes “Infinite Possibilities” hit differently is its intergenerational heartbeat. Featuring her father on vocals and guitar, the track doubles as a celebration of creative legacy. That connection is audible, it hums between the notes like family history turned harmony. The custom Larrivée guitar adds even more personal touch, making this song feel handcrafted in every sense.

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Also Read: Michellar Honors Her Roots on Stunning EP ‘ My Alma Latina’

And while the lyrics are rooted in Kelsie’s personal evolution, her message is universal: that boundaries aren’t cages, they’re incubators. And once we’re ready, we can fly.

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‘Colours of Time’: How Shyfrin Alliance Makes Time Feel Human

Vera — Wed, 06 Aug 2025 12:13:16 +0000

Shyfrin Alliance’s “Colours of Time” is a meditative rock journey that continues their deep dive into time, memory, and emotion. Following their previous single “In the Shadow of Time,” this new track expands the band’s metaphysical vision with vivid sonic textures and poetic lyricism. Led by Eduard Shyfrin, the band blends classic progressive rock influences, think Pink Floyd and Peter Gabriel, with a sharp contemporary edge.

Also Read: ‘In the Shadow of Time’ – Shyfrin Alliance Explores Time’s Dark Mystique

Built on a slow-burning groove and repeated invocations of “heat,” the song explores time not as a measurement, but as a feeling, red skies, burning love, fading connections. “Make no mistake, my friend,” Shyfrin warns, “the only colour of time is love.” It’s powerful, personal, and surreal all at once.

“Colours of Time” fuses synth atmospheres, steady drums, and layered guitars into something hypnotic and cinematic. The track doesn’t rush, it unfolds.

Also Read: Discover the Profound Beauty of ‘Buddha Blues’ by Shyfrin Alliance

For anyone drawn to philosophical rock or emotionally charged storytelling, “Colours of Time” is more than a song, it’s a soundtrack for reflecting on the moments that define us.

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‘Born Again’ Is a Bold Testimony from Rising Rap Voice Ambition Smiler

Vera — Tue, 05 Aug 2025 17:47:35 +0000

With “Born Again,” rising rapper Ambition Smiler delivers a bold, faith-driven song that’s as spiritually charged as it is sonically engaging. Released on August 1st, this track marks a powerful chapter in the artist’s evolving catalog, a raw, vulnerable testimony set to pulsing beats and reflective bars.

Also Read: Fairmount Drops ‘I NEED YA’: Top Shelf Love and Summer Vibes:

From the opening line, “Oh Lord, I’m up on the gate / Since I gave my life for Christ, I live by faith,” it’s clear that this isn’t your average come-up rap. Instead, “Born Again” is a redemptive journey through pain, prayer, and purpose. Ambition’s flow is steady and sincere, offering verses filled with gratitude, scripture-rooted wisdom, and lived experience. This is more than music—it’s ministry through rhythm and rhyme.

The production leans on a smooth yet punchy beat, letting Ambition’s storytelling shine without distraction. There’s urgency in his tone but peace in his words, reflecting the paradox of transformation: the chaos you come from vs. the clarity you find.

Also read: ‘Man I Used To Be’: Dax Trades Flexes for Truth

Perfect for fans of faith-based hip-hop and conscious rap, “Born Again” is testimony and triumph rolled into one. Ambition Smiler isn’t just telling his story, he’s inviting others to find theirs too. A must-listen for anyone walking the line between struggle and salvation.

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Fairmount Drops ‘I NEED YA’: Top Shelf Love and Summer Vibes:

Vera — Tue, 05 Aug 2025 17:22:19 +0000

Fairmount just served us the sonic equivalent of a summer crush with their latest single, “I NEED YA.” It’s sweet, loud, a little flirty, and bursting with all the energy of a sunshine-soaked road trip. From the opening guitar riff to the final chorus, this track screams windows down, heart wide open.

Also Read: Cris 88 Keys Blends Mystery and Message in Her Newest Song ‘he Mad Side of the Planet’

Channeling the breezy charm of Dan + Shay with the bold, drink-in-hand swagger of Old Dominion, “I NEED YA” is a celebration of that one person who just hits different, the “top shelf, 100 proof kind of tequila” type. Fairmount doesn’t overcomplicate it. The message is clear: love should feel good, wild, and a little intoxicating.

The production (helmed by Christian Strahley) is slick and sparkly without losing its country grit. Parker Doolin’s guitar riff sets the mood, while the mix from Taylor Bray and mastering by Mike Cervantes ties it all together in a radio-ready package.

Also Read: JBNG Brings the Grunge Back Loud with ‘Narrator’

This is country-pop at its most fun, made for blasting on boat days, adding to your BBQ playlist, or twirling someone barefoot in the kitchen. Fairmount knows how to write feel-good songs, and “I NEED YA” proves they’ve got the summer anthem formula down cold.

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Cris 88 Keys Blends Mystery and Message in Her Newest Song ‘he Mad Side of the Planet’

Vera — Tue, 05 Aug 2025 15:17:15 +0000

Cris 88 Keys taps into the global collective consciousness with her latest single, “The Mad Side of the Planet,” a poetic reflection on the strange, spiraling state of our world. With a haunting melody and a voice that carries both weariness and wonder, this track feels like walking through a fog of confusion, and then spotting a faint but steady light in the distance.

Also Read: Romance Meets Rhythm in Llamadeus’ Smooth Electro-Soul Track ‘Something About Your Love’

The production (helmed by longtime collaborator Orçun Ayata) blends subtle synth layers and atmospheric textures with a slow, pulsing groove that mirrors the song’s tension between despair and resilience. The lyrics paint scenes that feel too familiar: disconnection masked as connection, wealth hoarded while justice is distorted, and technology overpowering humanity. Lines like “forget you human nature/ if you’re living on the mad side of the planet” hit hard, because we are.

Also Read: JBNG Brings the Grunge Back Loud with ‘Narrator’

But Cris doesn’t stop at the darkness. In the final stretch, the song pivots to hope, reminding us that “but we still have our minds” and “And tomorrow another sun will rise” .It’s an anthem for thinkers, feelers, and fighters.

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JBNG Brings the Grunge Back Loud with ‘Narrator’

Vera — Tue, 05 Aug 2025 13:54:37 +0000

Grunge isn’t dead, it’s just been hiding in Vancouver, and JBNG is here to resurrect it with a roar. Their single “Narrator” is a raw, riff-heavy punch to the chest that channels the angst and emotional unrest of classic ‘90s alt-rock, but with a modern, unfiltered edge.

Also Read: Romance Meets Rhythm in Llamadeus’ Smooth Electro-Soul Track ‘Something About Your Love’

From the very first lyric, “You stole my heart, then had the cuts to break it”, JBNG doesn’t waste time sugarcoating. This is heartbreak served loud, distorted, and unapologetically messy. The vocals crack with emotion, riding over gritty guitars and pounding drums that echo like an underground garage show that gets shut down just as it’s getting good.

What makes “Narrator” hit is its honesty. It’s not polished, it’s not pretentious, it’s just raw human frustration layered over fuzzed-out noise and power chords. The refrain “it’s too bad, but I got to go” turns into an anthem of emotional detachment, resignation, and finally, release.

Also Read: ‘UNDER DI GUN – Acoustic Version’ by S. Coop: Laid-Back, But Lethal

Whether you’re moshing in your bedroom or just staring at the ceiling in a post-breakup haze, “Narrator” offers catharsis. JBNG may be new to the scene, but they’ve already got the grit and soul of seasoned grunge storytellers. And if this is how they introduce themselves? We’re listening. Loudly.

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Romance Meets Rhythm in Llamadeus’ Smooth Electro-Soul Track ‘Something About Your Love’

Vera — Tue, 05 Aug 2025 12:54:01 +0000

Let’s be real: we don’t always expect deep emotion from electro-pop, but Llamadeus flips that expectation on its head. “Something About Your Love” is a sultry, synth-soaked jam that dances between soul and sparkle, balancing club energy with heart-on-sleeve romance.

Also Read: ‘UNDER DI GUN – Acoustic Version’ by S. Coop: Laid-Back, But Lethal

Released back in May 2020, this track was the moment Diego Sierra Pous, aka Llamadeus, stepped confidently into his hybrid lane. Think Marshmello’s smooth production vibe, but slowed down, dipped in R&B silk, and given actual emotional weight.

From the opening line“There’s something special about your love”, you’re pulled into a hypnotic loop of desire, vulnerability, and pure vibe. The vocals are soft but soaked with intention. The bass is warm and deep, the beat skitters like heart palpitations, and the whole thing feels tailor-made for late-night drives, low-lit dance floors, or your next moodboard playlist.

Also Read: Eylsia Embraces the Void with Poise in ‘Nothing to Gain, Nothing to Lose’

A timeless electro-soul fusion that still hits in 2025. If you missed it in 2020, now’s the time to catch up. Some love songs age like wine, this one’s aging like vintage velvet.

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‘UNDER DI GUN – Acoustic Version’ by S. Coop: Laid-Back, But Lethal

Vera — Tue, 05 Aug 2025 12:38:02 +0000

S. Coop strips it all the way back in “UNDER DI GUN – Acoustic Version,” and somehow the rawness hits even harder. Trading heavy riddims for stripped strings, this acoustic rework lays the spotlight squarely on lyrical grit and emotional tension, and the result is a smooth, deceptively laid-back callout to manipulative lovers who play dirty and get caught in their own game.

Also Read: Zoheart EP by Zohar Amar Mokady – A Warm Hug in Sound

From the jump, Coop’s delivery is calculated and cool, flipping between sharp metaphors (“You did like it do / You never fight it do”) and biting truth bombs (“You used to come fi me / Now you dumb to me”). The hook “Hold seh me up inna your feelings / Or you fi calm and dumb” feels both like a warning and a shrug. You can catch feelings if you want, but don’t act surprised when they bounce.

Vocally, S. Coop glides over the acoustic backdrop like someone who’s said this before and means every word. There’s no overproduction, no gimmicks, just rhythm, realness, and a melody that gets under your skin.

Also read: Eylsia Embraces the Void with Poise in ‘Nothing to Gain, Nothing to Lose’

This version is a perfect example of how acoustic doesn’t mean soft, it just means closer to the bone. A necessary addition to the album and a vibe all its own.

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Eylsia Embraces the Void with Poise in ‘Nothing to Gain, Nothing to Lose’

Vera — Tue, 05 Aug 2025 10:32:54 +0000

Eylsia’s latest single, “Nothing to Gain, Nothing to Lose,” is a hauntingly beautiful meditation on surrender, solitude, and self-awareness. It doesn’t shout to be heard, it lingers, quietly powerful, like the last rays of light before dusk fully claims the sky.

Also Read: ‘If GOD Made Us in His Image 3’ by Eylsia: Heaven in Harmony

From the very first line “I walked the earth, and I walked it well”, there’s a poetic finality, a soul that’s been places, seen storms, and somehow made peace with it all. The lyrics drift between ghostly imagery and grounded existentialism: heaven and hell, cracked mirrors, silent stars. It’s introspective without being melodramatic, spiritual without being preachy.

Every element is finely tuned to support that sense of emotional weight. The instrumentation is minimalist but not bare, each note, each drumbeat, each swell in production serves the mood. There’s a cinematic quality here, like a solitary walk in an abandoned town or the credits rolling on a life well lived. The repeated chorus “I’ve got nothing to give, but nothing to lose” becomes a mantra, a release.

Also Read: Eylsia Deals a Strong Hand with ‘Don’t Speak to Strangers’

This track deserves a home on a full-length album, it’s one of those songs that gives shape to the emotional core of a record. Thoughtful, resonant, and deeply human. Eylsia did that.

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‘Man I Used To Be’: Dax Trades Flexes for Truth

Vera — Mon, 04 Aug 2025 15:00:00 +0000

After taking six months off to get clear-headed, Dax returns with one of his most emotionally transparent and soul-centered releases: “Man I Used To Be.” And it’s a reintroduction.

Also Read: ‘Lonely Dirt Road’ by Dax: A Powerful Reflection of Personal Struggle

Anchored by a smooth, almost late-night R&B vibe and Dax’s signature vocal grit, the track feels like the sonic version of watching someone clean out their closet in real time, tears, truths, and the quiet confidence that comes from healing. His delivery is calm, reflective, and unmistakably sincere. He’s not just performing. He’s confessing.

Dax goes deep: “Generational curses from daddy and mama / heartbreak and lies, dirty soul ties…” These aren’t just catchy bars, they’re journal entries turned into verses. The refrain “I’m half the man I used to be, it’s gon’ take some getting used to me” hits like a post-therapy mantra, raw yet redemptive.

There’s no flexing here, no cap. Just honesty, growth, and accountability. In a culture that often celebrates self-destruction masked as “fun,” Dax’s clarity stands out like a clean glass of water in a room full of shots.

Also Read: A Real Man by DAX: the game-changer

“Man I Used To Be” is a vulnerable milestone in Dax’s evolution quietly powerful, purpose-driven, and unapologetically real

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‘Madness’ by Haus of Sound: Is What Happens When You Miss What’s Bad for You

Vera — Mon, 04 Aug 2025 14:56:08 +0000

If you’ve ever danced your way through heartbreak or clung to something toxic just because it’s familiar, Haus of Sound’s “Madness” is your next obsession. The Seattle-based alt-pop five-piece explodes back onto the scene with their third and most ambitious single yet, delivering a synth-drenched emotional rollercoaster that’s as cathartic as it is cinematic.

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Also Read: Between Fire and Fog: ‘Mirage’ Marks a Bold New Era for Haus of Sound

Right from the opening line, “Drawn to the dance / My feet knew the beat,” you’re pulled into the track’s seductive storm. With Gabrielle’s smoky, commanding vocals leading the charge, “Madness” channels the brooding energy of Depeche Mode, the disco-funk gloss of Daft Punk, and the radio-friendly punch of Maroon 5, while still carving out its own emotionally-charged, genre-blending lane.

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Also Read: ‘Man I Used To Be’: Dax Trades Flexes for Truth

The production is airtight—pulsing drums, retro synth swells, and glitchy textures mirror the chaos described in the lyrics. It’s a toxic-love song for the 3am crowd, soundtracking those moments when clarity and self-destruction are locked in battle. The hook “The world’s going crazy ’round me” hits hard, not just as a lyric, but as a mood. We’re all spinning; some of us are just better at dancing through it. With “Madness,” Haus of Sound doesn’t just deliver a song—they drop a whole aesthetic. And it slaps.

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‘Power of Christ’: A Worship Song Anchored in Mercy and Truth by Robert Paul Brandolino

Vera — Mon, 04 Aug 2025 12:43:58 +0000

Robert Paul Brandolino’s “Power of Christ” is a beautifully composed worship song that blends nice lyrics with a strong scriptural foundation. From its opening lines describing Christ’s humble birth to the powerful refrain “The power of Christ is rich in mercy / It can heal the pain of a broken life” the song captures the essence of Christian faith with both clarity and conviction.

Also Read: He’s Still Got Me: ‘On My Side’ by Martay Speaks to the Storm

Brandolino’s storytelling is simple yet deeply moving. He walks us through Christ’s rejection, sacrifice, and the grace that follows, all framed in a way that feels accessible to both believers and seekers. Musically, the arrangement is classic and uplifting, allowing the message to take center stage.

The chorus is particularly memorable and effective, offering a repeated reminder that healing and salvation come by grace through faith. Brandolino’s vocals are sincere, never flashy, and full of reverence, perfect for a song built around spiritual reflection and encouragement.

Also Read: Eylsia Deals a Strong Hand with ‘Don’t Speak to Strangers’

“Power of Christ” doesn’t just remind listeners of who Jesus is, it calls them to a response. With a message that’s both timeless and urgent, this song is an inspiring addition to any worship playlist, especially for those navigating doubt, seeking healing, or looking to be renewed in their faith.

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He’s Still Got Me: ‘On My Side’ by Martay Speaks to the Storm

Vera — Mon, 04 Aug 2025 12:14:09 +0000

Martay’s new single “On My Side” is the kind of song that hugs you from the inside out. Rooted in scripture and wrapped in smooth R&B textures, it’s a faith-filled song born from a real-life moment of uncertainty, losing her job, and choosing to trust God anyway.

Also Read: ‘God’ by Dustin O’Halloran: is the Golden Classic You will Love

The lyrics are simple but powerful: “I walk by faith not by sight / You always on my side.” It’s a vulnerable confession and bold declaration all in one. The track leans into quiet soulfulness, letting Martay’s rich, sincere vocals lead. There’s no overproduction, just raw honesty and spiritual grounding.

Inspired by Psalm 23 and Ephesians 3:19–20, “On My Side” speaks directly to listeners navigating the unknown. It’s for anyone walking through the valley, needing a reminder that God hasn’t left the room.

Also Read: ‘Let the Truth’ by Presence Music Band Is a Vulnerable Worship Song for the Worn-Out and Still Believing

Whether you’re in need of reassurance or just want a soundtrack for your quiet time, Martay delivers something heartfelt and healing. “On My Side” doesn’t just sound good, it shifts the atmosphere.

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Riviir Drops ‘Kochi’ and Brings Real Rap Energy Back With The Game

Vera — Mon, 04 Aug 2025 12:00:00 +0000

Riviir steps into the spotlight with “Kochi,” a gritty, no-nonsense debut that pairs his razor-edged production with an explosive feature from West Coast legend The Game. This isn’t just a feature, it’s a torch-passing moment. Delivered with both lyrical precision and that unmistakable street pedigree, “Kochi” proves that Riviir isn’t here to play nice, he’s here to take territory.

Also Read: ‘Man I Used To Be’: Dax Trades Flexes for Truth

The beat? Pure 2000s East Coast nostalgia. Think cold concrete, corner cyphers, and dusty MPC loops, but leveled up with modern polish. Riviir, who also produced the track, creates a cinematic backdrop of boom-ba

Riviir, The Game

The Game slides in with classic bravado, throwing lyrical punches from Queens to Compton, armed with punchlines (“I’m Picasso with the bars, my pen is the paintbrush”) and that bulletproof delivery fans have come to expect. The chemistry is aggressive and raw, like a street cipher turned power play.

Also Read: ‘Madness’ by Haus of Sound: Is What Happens When You Miss What’s Bad for You

With “Kochi” and its sister single “Rap 4 Me,” Riviir launches a dual-offensive, announcing himself as both an MC and producer to watch. The track’s unapologetic energy and authentic street flavor make it clear: Riviir isn’t chasing a vibe, he’s building a legacy.

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‘God’ by Dustin O’Halloran: is the Golden Classic You will Love

Vera — Mon, 04 Aug 2025 08:57:18 +0000

In an age obsessed with precision, filters, and overproduction, Dustin O’Halloran’s “Gold” is a quiet act of rebellion, and a radiant one at that. This improvised solo piano piece, recorded in one spontaneous take at his Reykjavík studio, feels like someone catching light in their hands for just a moment, then letting it go.

Also Read: ‘Angels in the Dream City’ by CR Srikanth Glides Through a Cinematic Fantasy

“Gold” doesn’t need layers. It doesn’t even need polish. It just is, raw, reflective, fleeting. Every note lands with unguarded honesty, trembling slightly in the space around it, like breath in cold air. You can feel the room. You can feel O’Halloran thinking, not in a calculated way, but in real time, hands finding truth as they move.

Coming off the heels of his immersive 2024 concept album 1 0 0 1, which explored consciousness in the age of AI, “Gold” feels like its human counterweight, stripped of technology, stripped of ego, and anchored in a quiet, beautiful imperfection. It’s the kind of piece that doesn’t scream brilliance. It just radiates it, softly.

Also Read: ‘Resurge’ by Avohee Avoher: A Soul-Stirring Prelude to the 12V Journey

As he puts it, “I like the imperfections. They’re what makes it beautiful.”
He’s right. Gold isn’t just a title. It’s a feeling. And it’s timeless.

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‘Let the Truth’ by Presence Music Band Is a Vulnerable Worship Song for the Worn-Out and Still Believing

Vera — Sat, 02 Aug 2025 14:39:24 +0000

Presence Music Band’s “Let the Truth” hits like a prayer whispered in the middle of a breakdown, and somehow still feels like an anthem. It’s the kind of Christian pop song that doesn’t sugarcoat the faith journey. Instead, it leans all the way into the messy, soul-stretching tension between belief and burnout.

Also Read: ‘‘Where Would I Be’: Presence Music Band Delivers a Gospel-Pop Gem

Sonically, it blends modern pop polish with cinematic worship vibes, echoing the emotional honesty of artists like Halsey or Hollyn, and the raw, journal-entry depth of Taylor Swift’s Folklore. There’s no performance here, no polished perfection. Just a plea: “God, would you heal my broken soul?”

The lyrics walk through familiar Sunday scenes, getting dressed in your “Sunday best,” raising hands in worship, bowing your head in prayer, but beneath the surface, there’s struggle, doubt, and the quiet ache of trying to hold it all together. And that’s where “Let the Truth” lands its impact. It dares to say what so many feel: we’re all in the same boat. We all need grace, not just in big miraculous ways, but in the everyday moments where we almost fold.

Also Read: Eylsia Deals a Strong Hand with ‘Don’t Speak to Strangers’

Presence Music isn’t here to entertain, they’re here to minister. “Let the Truth” is both a song and a safe space. For anyone faking a smile on a Sunday, this is your soundtrack of release.

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‘African Train’ by FRIENDS Honors the Bond Between Africa and the Caribbean

Vera — Sat, 02 Aug 2025 12:58:23 +0000

“African Train” by FRIENDS is a cultural tribute, a musical homecoming, and a rhythmic bridge between the Caribbean and the African continent. Conceptualized by Guadeloupean composer Max Pelissier and brought to life by Cameroonian vocalist Etsha Hope, the track is a warm salute from diasporic hearts to ancestral roots.

Also Read: ‘Angels in the Dream City’ by CR Srikanth Glides Through a Cinematic Fantasy

Built around smooth Afro-Caribbean instrumentation with reggae-inspired undertones, “African Train” rides on mellow keyboard progressions courtesy of Dave Gwadaman Kynner (keyboardist and musical director for reggae legend Tiken Jah Fakoly). There’s an emotional intimacy to this arrangement, both joyful and nostalgic, that underscores the track’s symbolic journey back to Africa.

It’s simple yet powerful. The Lingala and English lines like “A part of my heart is staying with you” and “I don’t know the country I come from, but I think it’s Africa” capture the emotional ambiguity of diasporic identity. The metaphor of a sandal in Saka-Naka, worn but never aging, speaks to cultural endurance and the timeless connection between lands and legacies.

Also Read: Eylsia Deals a Strong Hand with ‘Don’t Speak to Strangers’

More than a song, “African Train” is a gentle reminder: the rhythms of Africa echo far beyond its shores. FRIENDS have turned memory and love into melody—and the result is quietly profound.

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