Released on 14 May 2026, ROOFIEZ marks a major step forward for Jasoh. Recorded in the house where he grew up, the album turns personal history into a rough-edged seven-track rap project filled with anger, relationships, isolation, confidence and self-examination. The move from Soundtrap to GarageBand and Logic also gives the project a more developed sonic foundation.
1. EVEN PAINS (ft. Slim Spitta): The album opens at full intensity. “EVEN PAINS” is confrontational, volatile and deliberately uncomfortable, throwing the listener straight into Jasoh’s darker thoughts. Slim Spitta adds another voice to the track’s aggressive energy, making this a powerful introduction to the world of ROOFIEZ.
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“2. CHROMATIC: shifts between rap and smoother melodic passages, giving the album some welcome movement. Beneath the bravado is a messy relationship narrative, with Jasoh questioning attraction, distance and emotional incompatibility.
3. WRISTLET (ft. FoePound): FoePound joins Jasoh on one of the album’s more emotionally fractured moments. “WRISTLET” moves between melodic sections and abrasive rap, exploring the aftermath of a relationship through resentment, memories and unresolved feelings.
4. ROOFIEZ: The title track feels like the album’s mission statement. Jasoh embraces his contradictions, insecurities and defiance while presenting himself as someone unwilling to conform. The production gives his personality plenty of room to dominate.
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5. TELEPHONE/MORE THAN FRIENDS (ft. King Marino): This two-part track expands the album’s relationship themes. “TELEPHONE” examines control, loyalty and disconnection, while “MORE THAN FRIENDS” becomes more vulnerable, focusing on attraction complicated by emotional baggage.
6. RUNTZ (Jay Phatty): captures uncertainty and frustration. Jasoh sounds caught between wanting to push forward and being dragged back by memories, people and personal demons. Jay Phatty helps reinforce the track’s restless energy.
7. OUT OF TIME: The closing track slows the emotional temperature. “OUT OF TIME” deals with disappointment, loneliness and realizing that something once imagined as meaningful may have existed largely in the mind. As a finale, it leaves ROOFIEZ on a more reflective note.
ROOFIEZ is messy by design, personal without pretending to have everything figured out, and ambitious in its willingness to expose Jasoh’s contradictions. More importantly, it documents an artist discovering what he can do with better tools and a clearer creative identity.
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