First things first, this is not background music in the traditional sense. But weirdly? It kind of is. Corpse Sonata, Vol. II is the type of chaotic, hyper-technical, bass-heavy project you throw on while cleaning your kitchen at 11PM or cooking something intense. It keeps you moving. Two hours fly by because the BPM refuses to let you stand still. MODUL8, Dutch artist, AI innovator, and architect of his self-coined genre “curbstep” treats this album like a laboratory experiment. Female vocals slice through distorted 808s, dubstep-weight subs, phonk textures, and boom bap drums run through a horrorcore lens. It’s surgical, mechanical, obsessive. But it’s also deeply rhythmic. Let’s break it down.
1. Scalpel The Seconds: An insane opener. The lyrics read like a forensic rhythm manual. Triplets, consonant clusters, breath control on display immediately. This isn’t chaos, it’s controlled dissection. The beat snaps tight while the flow never loses precision.
2. Madness Divine: More spiritual tension here. Minor-key atmosphere with manic energy layered over it. The calm/deranged split personality starts surfacing.
3. Murder Is Medicine: Dark and hypnotic. The hook hits heavy. It leans into horror framing but the real flex is cadence control.
4. The Rest Can Rot:Short, aggressive, no filler. Raw trap energy.
5. Venom In Ventricles: Dubstep-weight bass pushes this one forward. Feels almost industrial.
6. Dissected Their Sound: Meta moment. MODUL8 explaining the process inside the process. Clean rhythmic stacking.
7. Morgue Mechanics: Shift-work energy. Clock-in, clock-out vibe. Mechanical groove.
8. Hunting Obsession: One of the most aggressive cuts. Double-time flows, relentless delivery. The violence is metaphorical, aimed at rivals and rhythm itself.
9. Study The Energy: More analytical. Feels like blueprint writing over bass.
10. Chatter In Red: Dark, urgent, sharp snares cutting through the mix.
11. Half-Time Paralysis: Tempo switch creates tension. Sub hits heavy here.
12. Speaking Makes It Real: Recursive writing at its peak. Thought loops layered inside rhythm loops.
13. Appetite Is Growing: Less clinical, more feral. Hook sticks.
14. Heart Monitor Flickers: Minimalist bounce. Clean pacing.
15. Gimme The Tick:Rhythm-obsessed. Tick-tock motif drives it.
16. Gurney Rattle: Another standout. Autopsy metaphors meet beat construction theory. Wild breath control moments.
17. Massacre Melodies: Melodic layers creep in under the brutality.
18. Scalping Syllabics: Alliteration showcase. Machine-like delivery.
19. Incision Addiction:Triplet-heavy. Tight structure.
20. Running Is Rhythm:Momentum track. Feels like cardio in audio form.
21. Tomb Of Broken RhythmsSlightly more atmospheric. Dark ambience.
22. Cadaver Curriculum: Lecture-hall concept. Technical flexing continues.
23. Polysyllabic Warfare: Five minutes of stacked internal rhyme density. This is where breath control becomes almost superhuman.
24. Black-Edged Machete: Short, punchy, bass-driven.
25. Babbling Butcher: Controlled chaos. Vocal agility on full display.
26. Rhythms Under Scrutiny: Self-examination. Tight boom bap roots show.
27. Stripped To The Bones; Less layered, more raw. Direct.
28. Industry Autopsy: Commentary track. Sharp critique energy.
29. Fragmented Enemies: Recursive paradox bars stand out here.
30. Cadence Ballistics: Explosive flow switches.
31. The Prologue: Late-album reset. Almost reflective.
32. Ghost In The Machine: The AI-human collaboration theme becomes more visible here.
33. Chapel Of Dead Beats: Religious imagery meets rhythm execution.
34. Still At Large: Tension-heavy. Snare punches clean.
35. Boots On Concrete: Grounded. Street-level energy.
36. Schizophrenic Structure: Split-voice technique peaks here.
37. Tungsten Lullaby: Unexpectedly hypnotic. Slower burn.
38. Singing In The Morgue: Major highlight. The “cadavers” metaphor flips, harmony creeps in. Haunting but controlled.
39. Cipher Scalpel: Closes the album full circle. Surgical rhythm, precision, no wasted motion.
Corpse Sonata, Vol. II is intense. Dense. Technically overwhelming at times. But it’s also meticulously structured. Nothing feels accidental. The horror imagery is aesthetic framing, the true obsession is rhythm. Precision. Breath. Control. MODUL8 isn’t arguing for AI replacing artists. He’s showing what happens when human intent uses technology as amplification. Curbstep feels mechanical, but it’s undeniably deliberate. It’s brutal. It’s rhythmic. It’s experimental. And somehow, it’s perfect to throw on while you’re scrubbing dishes like you’re in your own midnight laboratory.
Stream Below:
FOLLOW ARTIST
