GIOMANÈ isn’t a quick-drop album made for the algorithm. It’s a slow-burn project built across two years, different countries, and real human connection, Released on June 6, 20. Recorded between Switzerland and Côte d’Ivoire, this fifth album from GIANFRANCO GFN lives in that sweet spot where groove meets soul, jazz flirts with funk, and everything feels played, not programmed. Thirteen tracks, all mildly danceable, instantly head-nod worthy, and rooted in the GIAZZ! universe he’s been shaping for years. Here’s a track-by-track breakdown of how the journey unfolds.
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1. Sing The Song: The album opens on a calm, stripped-back note. “Sing The Song” sets the tone with relaxed instrumentation and a warm, almost meditative groove. The blended voices in the chorus feel communal, like a group affirmation rather than a performance. It’s understated but confident, the kind of opener that invites you in instead of demanding attention
2. In My Dreams; This one leans deeper into jazz territory. It’s a love song with lift, built around the idea of escape, come with me, I’ll take you to the sky. The surprise here is the subtle rap element, which slides in smoothly without breaking the mood. It feels dreamy but grounded, floating without losing rhythm.
3. Doctor Wind: “Doctor Wind” is about needing someone so deeply that starting over feels possible again. The groove is gentle but persistent, like a steady breath. Emotionally, it’s reflective without getting heavy, carried by melodies that feel personal and lived-in.
4. Supernatural: Things get more playful here. The rhythm tightens, the energy lifts, and the track lives up to its title without going cosmic. It’s about that feeling you can’t explain, attraction, connection, instinct, all riding on a groove that keeps things moving.
5. Sunshine: Exactly what the name suggests. Bright, warm, and easy to move to, “Sunshine” brings a light funk bounce that feels built for open windows and long drives. It’s one of those tracks that sneaks into your mood without asking permission.
6. Are You Lost: This track leans introspective. There’s a quiet question running through it, both lyrically and musically. The groove stays tight, but the atmosphere feels slightly blurred, like wandering through familiar streets late at night. Thoughtful without slowing the album down.
7. Soft: One of the emotional anchors of the project. “Soft” lives in subtlety, smooth rhythms, gentle vocals, and space between notes. It’s not trying to impress; it’s trying to feel. And it does.
8. Saigon: “Saigon” brings a sense of movement and place. The rhythm section shines here, giving the track a traveling energy, almost cinematic. It feels like a memory unfolding, layered, rhythmic, and quietly adventurous.
9. When You Have Gone: This one sits in reflection. The groove is restrained but steady, letting the emotion breathe. It’s about absence, but not despair, more like acceptance. A pause moment in the album that still keeps your head nodding.
10. Me After You: A smooth continuation of the album’s love-and-life themes. The rhythm here is confident and relaxed, built for late evenings rather than loud rooms. It’s personal, patient, and deeply human.
11. My Sunday Morning: This track feels like exactly that, slow time, coffee energy, sunlight creeping in. The arrangement is cozy, the groove unforced. It’s one of the most intimate moments on the album, capturing everyday beauty without overthinking it.
12. Boulevard de l’amour / Fall in Love: Romantic without being dramatic. The bilingual title reflects the album’s cross-cultural spirit, and the music follows suit. Smooth melodies, gentle funk touches, and a feeling of walking through a city with someone special beside you.
13. Jumping Around: The closer brings the most outward energy on the album. Still grounded in groove, but looser, funkier, and playful. It wraps GIOMANÈ up on a high note, reminding you that movement, physical and emotional, is at the heart of this project.
Also Read: ‘Me After You’ by Gianfranco GFN
GIOMANÈ is a fully organic album in the truest sense. Real instruments, real musicians, real interaction. No politics, no preaching, just stories about life, love, doubt, joy, and that constant pull toward groove. The fact that it was recorded with 15 musicians across multiple countries shows in the texture and depth of the sound
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