If The Tales of Morpheus was Kane waking up from a long sleep, PSYCHEDELIKA Pt.1 is him stepping into full daylight. No collaborators, no filter, no safety net, just 17 tracks building a universe where sound, visuals, and emotions blend like one long lucid dream. He calls this project a “kaleidoscopic look at life,” and honestly? That’s exactly how it feels. You’re never on one plane for too long. The album constantly twists, reflects, and refracts. PSYCHEDELIKA Pt.1 is the start of a whole new chapter: raw, surreal, self-aware, and visually charged. Here’s the full breakdown, track by track:
1. Welcome To Psychedelika: This intro feels like stepping into a dream room, ambient swirls, mantra-like lines, and a slow pull into the album’s dimension. It’s Kane setting the tone: “Things are about to get trippy, but stay with me.” A cleansing moment before the story really starts.
2. I Don’t Need To Say – Radio Edit: Soft, warm, understated. This track is love without theatrics, connection that doesn’t need announcement. Kane leans into minimalism here, letting the production breathe while the message lands quietly. It’s the emotional equivalent of being understood without talking.
3. Here, Now: A meditation disguised as an electronic groove. Kane zooms in on presence in a world that constantly drags us elsewhere. The synths float, the vocals hover, and the whole thing feels like trying to stop your mind from sprinting. A breather in the chaos.
4. My Muse: This one is a milestone. Written after almost a decade away from making music, you can hear the rebirth in it. Short, honest, stripped of any formality. It’s the moment he remembered who he actually is, the spark that lit the whole Psychedelika era.
5. Heads Are Round: Inspired by that Francis Picabia quote, but flipped into something funny, chaotic, and painfully accurate.
This track is basically the inside of Kane’s mind when it’s spinning: flashing colors, zig-zag thoughts, loops, spirals, micro-awakenings. One of the most “visual” songs in the entire project.
6. San Diego: A love story turned heartbreak, etched into a city’s memory. The production is warm like sunlit asphalt, but the lyrics sting.Nostalgic without ever feeling stuck. Easily one of the album’s most transportive tracks.
7. Eyes Wide Shut: That blurry space between desire and intuition. You know something’s off, but you stay anyway.
The synths feel slightly distorted, like looking at someone you shouldn’t trust through hazy nightclub lights.
8. Subconscious (Primordial Radio Mix): The “Part 1” to Well, Damn! Here You Are. Forbidden attraction, bad timing, emotions creeping in uninvited. The radio mix makes it sharper, more immediate, like a confession whispered a little too loudly.
9. Well, Damn! Here You Are: Temptation wins. Regret follows. And Kane dances right through the mess.
This track balances humour, desire, and self-calling-out in a way only he can pull off.
A late-night DM turned disco spiral.
10. Whispering Tango: A dance of miscommunication and tension. It has this smoky, cinematic vibe, like two people in the same room speaking different emotional languages. Seductive, but slightly off-centre on purpose.
11. Push The Fear Out: Political satire meets dancefloor optimism. Kane tackles prejudice and fear with a beat that refuses to sit still. The message is simple: monsters aren’t real, fear is. The video (with neon beasts, teens, and a flashmob) turns it into a surreal call for unity.
12. Bite the Bullet: The wound of the album. This track doesn’t hide behind metaphors, it’s the truth of a long-term relationship ending badly. Cold, quiet, honest. Kane lets the pain sit there without dressing it up. It’s one of the album’s toughest, most human moments.
13. As Within, So Without: A reflection on seeking ourselves in other people. The comfort feels great, until it becomes the thing you hide inside. The production builds slowly, mirroring the emotional tension. This one grows the more you sit with it.
14. It’s Saturday & I’m High: Peak Kane humour meets existential dread. It’s political commentary, absurdism, and stoned clarity tumbling around each other, plus a cameo from Batman the bulldog. One of the album’s wildest left-turns.
15. Café Life: A modern loneliness diary. People in the same room, scrolling their lives away, disconnected even in company. The melody is light, but the message sits heavy. A perfect snapshot of this generation’s emotional climate.
16. Ratbag Joy: Euphoria hiding emptiness. This track captures nightlife at its most honest: the highs, the denial, the glitter over the cracks. Heavy lyrics wrapped in an irresistible beat, the party and the crash in one song.
A standout for sure.
17. Afterglow: The emotional centerpiece. Kane opens up about anxiety, numbness, and the terrifying process of naming what’s actually hurting you. The word “afterglow” speaks to that soft light after the storm, the moment where survival becomes clarity. It’s raw, open, and incredibly relatable.
PSYCHEDELIKA Pt.1 is Kane’s most expansive, bold, and emotionally transparent work yet.
The visuals, the sound design, the writing, everything feels bigger, more intentional, more cinematic.
It’s an album you don’t just listen to. You inhabit it.
Stream Below:
FOLLOW ARTIST
