Keep Going: ‘All Day Long’ by Joshua Jamison is a Song for Survivors

 Marie-Claire Giraud Reimagines Duke Ellington’s “Caravan” with Cinematic Grace

‘Velocity’ by Mark Winters: Is the Rock/Folk Anthem for Anyone Still Pushing Forward

‘Never Going Back’ by Martay — The Song That Turns Fear into Fuel

 ‘Blessing for a Broken Shelter’ by Liz Luceris Offers Light in the Dark

‘Patterns of Possession’ by _Shoe: A Dark Synthwave Journey Through AI and Emotion

‘Dragon’ by Licity Collins: A Joyous Instrumental Awakening

Signs of Our Times” by Eylsia (Released October 25, 2025)

Firefighter Prayer by Kenny Rae: Burns with Purpose, A Song for the Brave

‘Gratitude’ by DJ Nevaquit: Finding Joy on the Other Side of Struggle

‘The Worst Is Over’ by Eylsia: Is What Closure Sounds Like

‘Canadian Whiskey’ by Wattmore: The Funniest Drinking Song You’ll Hear All Year

Song Review: “We Both Can Fall” by Michellar ft. Gracie Lou

‘The Miner’s Son’ Album by Ettecon: Nails the Spirit of 1984

‘Fractured Reality: Human Code’ by RIVERLABS – Cinematic Darkwave from Chile (Album Review)

Song Review: ‘Stoner’s Paradise’ by Dukes of Roots

“Mona Lisa” by Scott Bentley — When Life Hurts, Music Heals

Where Technique Meets Tranquility: Cotik’s Spellbinding Take on “Paganini: Sonata a preghiera, Op. 24, MS 23, Moses Fantasy”

Westwell’s “A Little of Your Love” Glows in Quiet Emotion

‘The Sound of Birdsong’ by GISKE Turns Dreaming Awake Into Sound

Instagram

[instagram-feed num=6 cols=6 showfollow=false showheader=false showbutton=false showfollow=false]