Category: Singles

‘Wee Small Hours’ by Steven Winton Review: Finds a Smooth Groove in the Middle of the Mess

‘Tarantula’ by Azraelle Review: Turns Mystery and Transformation Into an Experimental Pop Experience

‘I’ll Seduce God to Get into Heaven’ by Madeline Rosene Review: Indie Punk, Sin and Salvation Collide

‘The Power by The 9:9 Band Review: A Spirit-Filled Gospel Call for God’s Presence

‘Behind My Eyes’ by Ellen Hayes Review: A Calm Gospel Reflection on Pain, Faith and God’s Grace

‘The Inheritance’ by Keesha Blair Review: A Powerful Reflection on What We Leave Behind

Rusty Reid Brings a Fresh Texas Perspective to Johnny Nash’s ‘I Can See Clearly Now’

‘We Live In These Woods’ by Man From The Woods Review: Getting Lost in an Atmospheric Forest Soundscape

‘Hard To Leave You’ by RISE Review: Liverpool Rockers Deliver a Fast, Catchy Rush of Guitars and Harmonies

‘Say My Name Back’ by Dennis Pipal Review: A Quiet Return to Faith Through Acoustic Songwriting

‘The Hammer Goes Click’ by Marcus Christ Review: Brings Bars, Swagger and Street Storytelling

‘Dirty Feeling’ by 50mething Review: Turns Suspicion and Betrayal Into a Stripped-Back Emotional Reckoning

‘Chasing Shadows’ by Ken Capozzi Review: Finds Meaning in the Pursuit of What Won’t Stay Still

‘Elijah Craig’ by DCMAC Review: Turns Kentucky Bourbon History Into Mystical Country-Rock

‘You Paid My Price’ by Servants of Worship Review: A Powerful Reflection on Christ’s Sacrifice

‘One Hot Night’ by Victoria Nahum Review: A Wild, Funny Country-Pop Ride That Refuses to Take Love Too Seriously

‘Love VS Time’ by Darren Williams Review: When Love Has to Face the Passing Years

‘Musaladi Vannama (The Hare)’ Review: Shirantha Beddage Gives a Sri Lankan Classic a Modern Jazz Life

‘Monster’ by Italian Driving Review: A Cinematic Reimagining of Steppenwolf’s Classic Protest Song

‘Velocità Massima’ by Mafalda Review: A Smooth, Joyful Ride Through Italian Pop

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