“Berlin” by Wholes arrived on September 8, 2026, bringing a dark, restless energy that refuses to settle into anything predictable. From the opening moments, the track’s heavy groove and bouncing drums establish a tense pulse, while the smooth vocals create an interesting contrast against the increasingly chaotic musical backdrop.
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What makes “Berlin” especially compelling is how its sound reflects its subject matter. The song places Berlin at the edge of collapse “You’re Berlin on the border of falling down / In a Swiss bank that has sold your life” before turning its attention toward the emptiness and disconnection created by capitalist systems and the constant push for more. There is something unsettling about hearing those ideas delivered through music that feels equally unstable.
Wholes draw from 80s new wave, the abrasive noise-punk of Butthole Surfers, and the post-hardcore intensity associated with Jesus Lizard, but “Berlin” doesn’t simply feel like a throwback. The influences are reshaped into something gritty, unpredictable and distinctly contemporary. At 0:49, the poppier chorus arrives almost like a temporary release, giving the listener something immediately catchy before the darker atmosphere takes over again.
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The rhythm keeps evolving, making the song feel chaotic without losing its direction. It is dark, strange and occasionally uncomfortable, and that is precisely where much of its appeal lies. “Berlin” is not just a catchy track; it is music with something worth saying, using its sound to reinforce a message about systems, desire and collapse.
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