“Call” is the kind of late-night R&B record that doesn’t rush a single feeling. It moves slow, breathes easy, and lets intimacy do the heavy lifting. The production is stripped back on purpose, soft textures, relaxed rhythm, and just enough space for Henry Aberson’s voice to feel close, like he’s right there in the room with you.
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The song lives in that soft chaos of wanting someone a little too much and being okay with it. Lines like “you make me so anxious I guess I’ll thank you, instead of complaining” flip emotional tension into something sweet and addictive. It’s vulnerable without sounding dramatic, flirty without trying too hard. The repeated idea of “getting a taste of you” feels less physical and more emotional, like craving presence, attention, and connection rather than anything loud or flashy.
What really works here is restraint. Henry doesn’t oversing or overproduce. He lets the melody drift, lets the words linger, and trusts the mood. When he sings “so call me when you need some lovin’, so I will be there for you”, it lands as a promise, not a pickup line. There’s sincerity in the delivery that makes the track feel grounded and honest.
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Knowing Henry Aberson’s background as a Tulsa-born drummer, songwriter, and producer, it makes sense how locked-in the atmosphere feels. His roots in retro soul show up in the warmth of the arrangement, while the modern R&B influence keeps it clean and current. After tracks like “Supa Fly” and “Tunnel Vision,” “Call” feels like another step forward, more confident, more intimate, and very intentional about mood. This is a song for quiet moments. Headphones on. Lights low. No distractions. “Call” doesn’t beg for attention, it waits for the right listener, and when it finds you, it hits exactly where it’s supposed to.
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