Singles – Korliblog

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‘In The Theater’ by Sergey Khomenko: Minimal, Calm, and Cinematic

‘Schrödinger’s Cats’ by Aaron Koenig: A Love Song That Lives in Two Realities

‘You Know What I Like’ by Rone Andrews: Proof That Love Songs Age Just Fine

‘Ice, Ice Crazy’: Protest Lives in Country Music Again – Thanks to Sawyer Dunn

‘Even When the Answer’s No’ by Orion Mendenall: When Faith Means Letting Go

Spiritwave Sounds Finds Hope in Stillness with ‘Light in the Waiting’

Meg Novais Opens the Quiet Center with ‘Heaven’s Breaking Open’

One Acre West Opens the Door with ‘Boy Like That’

‘Written in Red’ by Mutch Tosaye: A Song About Listening, Not Just Believing – Faith Beyond Emergencies

A Piano Piece That Lets You Drift: ‘ESCAPADE’ Reviewed

‘Never Stop Loving You’ by Eylsia Reviewed: A Love Song That Doesn’t Flinch

An Instrumental That Says It All: ‘Ending up in the wrong way’ by Richard Green Reviewed

‘Don’t Let Heartache Turn to Heartbreak’ by Stevie Lee Woods: A Country Story About Choosing Repair Over Goodbye

A Quiet Turning Point: Reviewing ‘Born Again’ by Haisley

‘Brightly Blessed’ by Bobette Boettcher Is a Gentle Reminder of God’s Presence

Artillery Saints’ Dark New Single ‘A Flurry Of Furies’

Eylsia Asks the Question We’re All Afraid to Say Out Loud on ‘Odds To Heaven’

Will Camos Turns Life on the Road into ‘What a Ride!’

‘Someone New’ Is a Quietly Confident Moment from Luke Brown & The Jubilee

Summer Games: A Quietly Powerful Return from Phil Walter

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